\engtitle{.. shriiraamastuti ( tulasiidaasa )   ..}##
 \itxtitle{.. shriiraamastuti ( tulasiidaasa ) ..}##\endtitles 
#indian
          .. atha shrIrAmastuti ..##

Send corrections to Girish Beeharry (gkb@ast.cam.ac.uk)
##
shrIrAmachandra kR^ipAlu bhaju mana     haraNa bhavabhaya dAruNam.h .
navakaJNja lochana kaJNja mukhakara     kaJNjapada kaJNjaruNam.h .. 1..

ka.ndarpa agaNita amita chhabi    nava nIla nIraja sundaram.h .
paTapIta pAnahu.N ta.Dita ruchi suchi    naumi janaka sutAvaram.h  .. 2..

bhaju dIna bandhu dinesha dAnava    daityava.nshanikandanam.h .
raghunanda Ana.ndaka.nda koshala    chanda dasharatha nandanam.h  .. 3..

sirakrITa kuNDala tilaka chAru    udAra aN^ga vibhUshhaNam.h  .
AjAnubhuja sara chApadhara    saN^grAma jita kharadUshhaNam.h .. 4..

iti vadati tulasIdAsa shaN^kara    sheshha muni manaraJNjanam.h .
mama hR^idayakaJNja nivAsa kuru    kAmAdikhaladalamaJNjanam.h  .. 5..

mana jAhi rAcho milahi sovara    sahajasundara sA.nvaro  .
karuNAnidhAna sujAna shIla    saneha jAnata rAvaro . 6..

ehi bhA.Nti gauri ashIsa suni siya    sahita hiya harshhita alI .
tulasI bhavAnihi.n pUji puni puni   mudita mana mandira chalI .. 7..

     jAni gauri anukUla    siya hiya harshhanaH jAta kahi .
     maJNjula maN^gala mUla   vAma aN^ga parakana lage ..

        siyAvara rAmachandra pada gahi rahu.N .
        umAvara shambhunAtha pada gahi rahu.N .
        mahAvira bajara.NgI pada gahi rahu.N .
        sharaNA gato hari ..

##

This is written in Hindi(Awadi rather, the language of Ayodhya and of the
rAmacharitmAnasa).

1) The stuti itself is simple . The 1st part of each half-verse is sung
with the pitch going up [ :-) ] . The 2nd part is rather toned down . Until
someone comes up with a good idea on how to convey the pitch.
The spacing has been increased at the pauses.(It is possible that each
shloka is 12 - - 10 - - -/ 12 - - 10/- - - - )

2) The last 4 lines are repeated during rAmacharitamAnasa chanting.